Naxos again provides intrigiung quality for the collector, and at bargain price. Here are recordings by three major pianists of their era, only two of which received their deserved attention.
- One Year, Six Months?
- Degeneratively Happy.
- Fantastic Pieces, Op.12;
Mischa Levitzki, in spite of his name, was an American born in the Ukraine in of Russian parents who were naturalized American citizens visiting their homeland. A child prodigy, he had a number of respected teachers including von Dohnanyi.
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- Fantasiestück ("Traumes Wirren"), for piano, Op. 12/7.
- Laurent Cabasso - Fantasiestücke, Op. No. 7, Traumes Wirren - Listen on Deezer.
- Minorías religiosas en España: apuntes de visibilización patrimonial (Spanish Edition).
After a concert he gave when only eight years old, he "retired" until he was sixteen. He made his American recital debut in settling in the United States. Vladimir Horowitz and Sergei Rachmaninoff were in category B!!! Perhaps this instigated Horowitz's remark that Levitzki "was awful Levitzky was an artisan. He must have had many admirers as he made many recordings, all now scheduled for release by Naxos. This first CD in the series contains his American Columbia acoustic recordings from , his electric recordings for the same company from and recordings made for His Master's Voice, Surely the wide range of repertory shows an elegant style, perhaps a bit of technical uneveness.
Schumann: Traumes Wirren Op. 12 No. 7 in F Major
His exaggerated playing of the two-hand trill towards the end of La Campanella is over the top, but effective in its own way. Ward Marston's transfers are excellent, as always. I look forward to the next two volumes. The major work is his phenomenal performance of Liszt's Sonata in B Minor recorded in , preferable to his RCA recording made 44 years later.
Schumann: Fantasiestucke, Op. 12; Kresleriana, Op. 16; Nachtstucke, Op. 23 / Florian Uhlig, piano
We also have an elegant performnce of Haydn's E-Flat Sonata, a collection of shorter pieces by Scarlatti, Schumann, Chopin, Debussy and Poulenc and—most importantly—two of the rarest Horowitz recordings, The Flight of the Bumble-Bee and the Russian Dance from Petrushka , of which only a few copies existed after the pianist decided it should be withdrawn.
Many of these recordings were quite brittle in sound—for whatever reason, Horowitz's usually percussive playing often did not record particulary well. My Wish List. Deleted CDs Mystery Boxes.
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Key & BPM for Traumeswirren Op No.7 by Vladimir Horowitz | Tunebat
Deselect All. Kinderszenen Scenes of Childhood , Op. Solo: Klara Wurtz Soloist.